Author: Tim Richards
Copyright © 2005
Published by SCHOTT MUSIK
If it appears my summary for Volume 2 is the same as for Volume 1, you are correct!
If you are just getting into Tim Richards' books, start with "Improvising Blues Piano" by Tim Richards because it's not just a book about the blues, it's about the roots of jazz and in Tim's "Exploring Jazz Piano" books he will expect you to understand concepts covered in the blues book.
Tim Richards' books are some of the world's best jazz piano books. You will be hard pressed to find books that are as well written, composed, thought out, and beautifully designed, from cover to cover.
His books take a spot in my top 5 list.
Volume 2 deals with more complex and colorful harmony, from suspended fourth, sharp eleven and thirteenth chords to diminished and altered scales. Advanced voicing, accompaniment and improvisation techniques are examined in detail, including the following topics: Quartal harmony, modal improvisation, long and short II V patterns, altered dominant chords, polychords, stride piano, Bossa Nova, clave and Partido Alto, Lydian and Locrian modes, how to make scales swing, building bebop lines, bebop scales, R235 patterns, the b3 pentatonic scale, rhythm changes, turnarounds, minor II V I, playing in 3/4 time, playing in double-time, tension and release, transcribing, practice routines. 32 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Beautiful Love * Blue Bossa * Blue in Green * Caravan * Impressions * Ladybird * Misty * On Green Dolphin Street * Softly as in a Morning Sunrise * Summertime * Tune Up and Yesterdays. Also included are transcribed solos by Oscar Peterson, Wynton Kelly and Hampton Hawes.
Volume 2 picks up where Volume 1 ends. Please take a look at "Exploring Jazz Piano, Volume 1" by Tim Richards for details.
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Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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