for starters, i'm glad to see that booker has come up here recently. i've been a fan for a while. i didn't want to hijack the other thread completely so i started this one. i was trying to play "papa was a rascal" the other day, and for the life of me, it seems like the right hand is impossible to play unless you have fingers that were as long as booker's. has anyone else encountered or surmounted this problem?
check out this: - i haven't had the chance to look at it properly (i'm at work!) but it seems there's a few good shots of what he's playing that might help. i love youtube.
i checked out the video. i have several of his albums, but i've never seen footage of him playing before. :) it's amazing how relaxed he looks even though his music usually has so much going on in each hand. i also liked the funkier groove that this performance had from his solo versions.
i preface this next section by mentioning that the section i'm referring to (for non booker fans) is a groove in the right hand that actively alternates between a fifth (c3 f3, played with 1 and 2 according to the transcriber) and an am chord (a3 c4 e4, played with 3,4,5).
now for the nitty gritty: to play the above, i need to lift or significantly shift my hand. however, his hand appears to stay in one place in the video. i've been trying to figure out how much space is between his pinky and thumb, but no luck yet. i also watched another video that shows a close-up of his hand, and his pinky is freakishly long, to say nothing of his other fingers.
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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