| LearnJazzPiano.com archives: Reharmonization 101 | |
| Scot -- 01/24/2004, 11:44:09 -- #1074973448 | |
| Moon River | |
| On the other forum, we were talking about Moon River and what we can do. I mentioned that a lot of the big time players often reharmonize not just the chords, but on melody notes. So for Blue Moon, well, there some beautiful things you can do. For simple chord reharmonization, I have utilized a descending bass line. These changes are for the first part of the song. | C | G/B | Am9 | C/G | | F | C/E | Bm7b5 | Bb7#11 | | Am7 | Gm7 C7b9 | FM7 | E7#9 | | Am7 Am7/G | F#m7b5 F7#11 | Em7 Ab7#11 | Dm7 G7 | Now, it's a slow and beautiful song. All Henry Mancini songs are beautiful, except for maybe one or two TV show songs. How about that harmonizing each melody note? This is a GOOD thing to look at and work on. Makes you sound pro :) I'm only going to do the first to lyric lines here, but that's more than enough to get you started. C Bb7 Am7 F Dm7 Db7 C Moon Riv er, wider than a mile Gb7 F Em11 Dm7 G7 CM7 Bb7#11 Bm7b5 Bb7#11 Am7 I'm cross ing you in style, some day Old dream.... See? Very very cool. Also, everyone should know this tune. It's an AMAZING song! Post some midis! | |
| Oscar Peterson: Note-for-Note Transcriptions of Classic Recordings | |
| dharminor -- 09/23/2004, 21:11:50 -- #7393 | |
| diminished 7th harmonization | |
| when harmonizing a melodic line and adding specificly diminished chord substitutions is there any general rule on when they can be added to part of a melody. if you could maybe show it on "A Night In Tunisia" I'd appreciate it and also whether the left hand can play a different chord underneath the melody note and the diminished harmonization. | |
| Whacky -- 09/25/2004, 07:19:29 -- #7422 | |
| well to me it's just a matter if experimentation...think of certain melody notes as being chord tones..for example the note A in any of the following chords: (and others) A Am D Dm F F#m B7 Bb Maj7 Bbm (maj7) Eb7(#11) G9 G Maj9 Em11 Eb dim C13 C13 sus 4 gotta go... | |
| dharminor -- 09/26/2004, 16:23:31 -- #7467 | |
| thanks whacky | |
| guti11 -- 11/02/2004, 20:55:59 -- #8578 | |
| Tanks | |
| i am just impresioned for your generosly help, no mani people like you | |
| Scot -- 11/04/2004, 15:38:14 -- #8631 | |
| Music is all about being generous with your soul, heart, and time. And I enjoy this site as much as any of you who visit it. Thanks! | |
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| unussunu -- 11/09/2004, 13:42:44 -- #8789 | |
| the abosolute best ear training | |
| ----------www.TEORIA.com based in spanish, English choice of course. It has everything. for a higher tech go to ---------www.eartrainer.de a cool flash program | |
| Oscar Peterson: Note-for-Note Transcriptions of Classic Recordings | |
| 7 -- 11/10/2004, 09:05:52 -- #8817 | |
| Direct link: http://www.teoria.com/ Site dedicated to the study of music theory. Their "online books" section is actually a free browsable manual of everything concerning music theory. The "exercises" section contains all kinds of great tools for scale & chord construction as well as things like chord & interval recognition. Make sure and check out the "articles" section as well! Links, too. | |
| gbengakol -- 12/19/2004, 07:26:43 -- #9775 | |
| altered chords | |
| hi,pls i wanna know how to really make use of altered chords.i would be very grateful if i could have a lecture on this. also i hear of tension here and there but don't know how to really use it pls shed more light on this too. thanks | |
| albetan -- 12/19/2004, 07:40:26 -- #9777 | |
| Look for these files in search engine (upwards): Extended chords (write: extended) Substitute and embellishing chords (write: substitute) Altered seventh chords (write: altered) | |
| femi -- 02/15/2005, 10:02:54 -- #11222 | |
| more examples | |
| pls scot can you use more chords to explain this topic reharmonisation. can the seventh chord used in the leading chord example be of different qualities or only seventh without alterations | |
| Scot -- 02/16/2005, 23:08:04 -- #11267 | |
| Seventh chords can be of many different qualities. I just put the simple sevenths in examples to make it easier to understand. By all means expand the 7th chords. It's the idea of how the reharmonization works that is important, not the actual chords. | |
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| Lafaille -- 03/28/2005, 18:48:10 -- #12265 | |
| Mission Impossible - Lalo Schifrin | |
| Dear: I live in Brazil and need so much ( teachering Jazz, Bossa ) the free partition of Title above. Please replay me with full response. Thanks in advance. Hamilton Lafaille <hamilton_lafaille@yahoo.com.br> | |
| Monty Alexander: Transcriptions of Standards | |
| Scot -- 03/28/2005, 21:36:33 -- #12274 | |
| Hi, all interaction is done on this site, not through email. So go ahead and ask questions and we'll try to answer them. | |
| Neighbor -- 03/30/2005, 04:40:37 -- #12314 | |
| Neighbor For you Art Tatum fans | |
| I've been studying Art Tatums' techniques. Good piano excercises to get the dexterity and harmony he had-is to practice your scales in thirds and sixths intervals. Try getting the jazz hanon book and try your regular classical hanon excercises! If any body has more tips to get this type of virtioso playing please give all of us some secret tips!!!!! Neighbor | |
| sdm -- 03/30/2005, 15:46:33 -- #12326 | |
| Thanks Neighbor. Can you explain "practice scales in thirds and sixths?" Do you mean run scales a 3rd or 6th apart or practice a run of thirds in the scale? | |
| Neighbor -- 04/06/2005, 01:12:49 -- #12514 | |
| Thank for the Interest SDM From Neighbor | |
| Everything that you said to practice in scale playing works when it comes to Arts' style of playing. For example, have you ever heard the relationship between Mathmatics and Music? They both really do go hand in hand. They both go into infinity and the possibilities are endless. Try the jazz runs in trills in 3rds and 6th's. Here is a cool exercise I thought up and started to practice. Let's start simple, play the Cmajor scale with your left hand and with your hand play the Db major scale. Next still with your left hand play the CMajor scale then with your left play the Dmajor scale. Do this staying in the Cmajor scale in the Left Hand and go up Chromatically with your right hand in 1/2 steps then thirds and then Sixths etc. Then try both hands vice versa. When you hear Tatum his little complex harmonies are built in this fashion. Till the next tip. Neighbor | |
| sdm -- 04/06/2005, 11:30:56 -- #12519 | |
| Interesting, Neighbor, I'll give it a try. As for math and music, yes, there's plenty of evidence for that. I worked in high-tech for a while and the head of the software engineering department had a PhD in piano performance. I see that there are a lot of computer types here although that may have more to do with the medium. Still, you do see a lot of musicians in technical fields. | |
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| PeteBax -- 08/01/2005, 10:08:44 -- #17131 | |
| FBEADGC | |
| "Freddy Bead Great Cat" FBEADGC is all the flat keys going forward all the sharp keys going backwards; circle of fourths forwards; circle of fifths backwards and; 4ths are 5ths going down; I think its been a long time since I studied music. I once wrote a piece of music called "Freddy Beads Blues" never told anybody what it meant before | |
| Monty Alexander: Transcriptions of Standards | |
| christinefaye -- 03/13/2006, 00:20:07 -- #25140 | |
| HARMONIZATION | |
| SIR, when you play jazz, do you really have to think of the thoeries learned or do we have to really just experiment? should the techniques and ideas of classical style be trashed? please reply. thanks. this is my email add: christinefaye@yahoo.com | |
| Scot -- 03/15/2006, 13:03:35 -- #25221 | |
| Here's how it works. When you practice jazz, you think about theories, formulas, and all the stuff you are trying to progress in. When you perform you forget about all that and just have fun. The things you practice will come out in your performances if you practice them enough. Never ever ever get into the habit of being too much in your head when performing! Play from the heart, practice from the head. | |
| garethcullen -- 05/04/2006, 06:56:25 -- #26961 | |
| new | |
| Hi Guys, I am new to this site.. and very interested in Jazz voicings.. paticularly 2 handed big cool voicings :) However lacking ideas or suggestion re this... can anyone suggest/ pt me in right direction pls..? | |
| albetan -- 05/04/2006, 08:42:37 -- #26962 | |
| See at Albetan's area these files: Melodic Voicings 1, 2, 3, 4. Performing Jazz lead sheets. | |
| garethcullen -- 05/04/2006, 09:08:49 -- #26963 | |
| ok.. where do i find that info pls? | |
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| sdm -- 05/04/2006, 11:07:35 -- #26967 | |
| Go to the top of this page, find "Rooms: Show List." Click on Show List. Albetan's room is on the bottom panel in the second of four columns. Click there and, once there, click on List Files just under the room title in the light blue bar. Can't miss it (well, you could). There are a number of super lessons in Albetan's files. Enjoy! | |
| qelly -- 08/10/2006, 07:10:48 -- #29236 | |
| WOW! | |
| mr. scott, i wish you could make this ideas available to Nigerians..we are in want of good books and materials. | |
| Scot -- 08/17/2006, 12:16:57 -- #29347 | |
| These ideas are available to everyone! Just come to this site and explore all of the resources everyone has uploaded. | |
| Bonnie -- 01/21/2007, 14:14:39 -- #32593 | |
| Girl from Ipanema | |
| Is it possible to get this uploaded- a kinda nice music to playm esp. an amateur. Thanks Bonnie | |
| Scot -- 01/22/2007, 10:05:10 -- #32610 | |
| Well, it's a copyrighted song so we can't do that here. Why don't you buy the old Stan Getz/Gilberto recording? You can't get much better than that if you want to learn Girl from Ipanema. | |
| dintino -- 05/13/2007, 15:29:09 -- #35021 | |
| Blue Moon | |
| Hi, while reading about Reharmonization 101, I came up to some nice writing about harmonizing every note in Blue Moon and other great tips in other tunes. I must have cliked a link or something, for the page is not where I though it will be. If anyone can help, it will be appreciated. Dintinos. | |
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| J+azz=jazz -- 05/29/2007, 10:24:06 -- #35278 | |
| Hm | |
| WoW | |
| decookman -- 09/13/2007, 10:07:29 -- #37052 | |
| decookman | |
| mylove | |
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