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| title | drafted | published | hits | comments |
|---|---|---|---|---|
| Message number: 46704 | 02/06/2010 | 02/06/2010 | 1224 | |
| Message number: 44878 | 07/30/2009 | 07/30/2009 | 417 | |
| Pulp Fiction | 06/22/2009 | 06/22/2009 | 605 | 22 |
| Did I hear this right? | 04/22/2009 | 04/22/2009 | 456 | 8 |
| Lullbay of the leaves | 04/19/2009 | 04/19/2009 | 564 | 5 |
| Phrygian Chords | 01/18/2009 | 01/18/2009 | 2418 | 26 |
| Calling the key | 12/29/2008 | 12/29/2008 | 531 | 14 |
| Feedback on Stella | 12/22/2008 | 12/22/2008 | 654 | 4 |
| Coming to Chi-town | 10/23/2008 | 10/23/2008 | 367 | 3 |
| ...No Title... | 09/08/2008 | 09/08/2008 | ||
| Message number: 42332 | 08/14/2008 | 08/14/2008 | 441 | |
| Stride + Scale from Scot's book, part 1 | 06/28/2008 | 06/28/2008 | 541 | 15 |
| Notation Question | 06/19/2008 | 06/19/2008 | 821 | 14 |
| Notation Question | 05/25/2008 | 05/25/2008 | 379 | 4 |
| Steinway piano stylings | 05/19/2008 | 05/19/2008 | 465 | 7 |
| Jazz Piano notebook question | 05/06/2008 | 05/06/2008 | 378 | 1 |
| Theatre voicing and locked hand | 03/24/2008 | 03/24/2008 | 536 | 4 |
| peterson - previn | 02/29/2008 | 02/29/2008 | 546 | |
| First Lesson | 02/12/2008 | 02/12/2008 | 989 | 44 |
| Watch what happens | 02/07/2008 | 02/07/2008 | 609 | 1 |
| Message number: 39818 | 01/19/2008 | 01/19/2008 | 381 | |
| Message number: 39762 | 01/17/2008 | 01/17/2008 | 1260 | |
| Message number: 39623 | 01/11/2008 | 01/11/2008 | 1131 | |
| Message number: 39512 | 01/07/2008 | 01/07/2008 | 483 | |
| Message number: 39489 | 01/06/2008 | 01/06/2008 | 417 | |
| Monty / Billy duet | 01/05/2008 | 01/05/2008 | 521 | 1 |
| Message number: 39452 | 01/05/2008 | 01/05/2008 | 448 | |
| recommended solo piano transcriptions | 12/08/2007 | 12/08/2007 | 832 | 1 |
| Message number: 38526 | 11/23/2007 | 11/23/2007 | 978 | |
| new gear | 11/14/2007 | 11/14/2007 | 395 | 8 |
| Concert at Kennedy center | 11/07/2007 | 11/07/2007 | 905 | 2 |
| notation question | 10/20/2007 | 10/20/2007 | 388 | 2 |
| For those with kids | 10/16/2007 | 10/16/2007 | 621 | |
| First Transcription | 10/11/2007 | 10/11/2007 | 535 | 9 |
| Maybeck series | 10/10/2007 | 10/10/2007 | 528 | 16 |
| Marinade your ears | 10/05/2007 | 10/05/2007 | 594 | 1 |
| Message number: 37374 | 10/03/2007 | 10/03/2007 | 1048 | |
| What's he playing? | 09/19/2007 | 09/19/2007 | 401 | 5 |
| Message number: 37037 | 09/12/2007 | 09/12/2007 | 498 | |
| See me play | 08/11/2007 | 08/11/2007 | 601 | 13 |
| Billy Taylor | 07/09/2007 | 07/09/2007 | 554 | 2 |
| fingering question | 06/06/2007 | 06/06/2007 | 544 | 9 |
| My Steps | 05/22/2007 | 05/22/2007 | 365 | 4 |
| 6 months | 05/01/2007 | 05/01/2007 | 494 | 13 |
| Message number: 34794 | 04/30/2007 | 04/30/2007 | 431 | |
| myspace | 04/27/2007 | 04/27/2007 | 535 | 1 |
| Message number: 34284 | 03/29/2007 | 03/29/2007 | 475 | |
| Message number: 34273 | 03/28/2007 | 03/28/2007 | 487 | |
| arpeggios | 03/21/2007 | 03/21/2007 | 477 | |
| Joe Pass on improvisation | 03/15/2007 | 03/15/2007 | 545 | 1 |
| looking for drum box | 03/14/2007 | 03/14/2007 | 515 | 3 |
Jazz Piano Notebook Series
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
"Latinesque"
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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