hi, i'm tim, a game producer in china. i learnt classic piano when i was very young. recently i felt jazz piano is amazing and i started to read jazz piano book (mark levine) at day time and practise in night. due to busy working, i don't have enough time to practise on my piano. maybe 1-2 hours per day. i'm reading "basic" in jazz lesson now. tonight i practices 2-5-1 from C to E (5 keys) with left handing chords right hand scale. i'm quite excited to have this good start here. hoping make every body friends who love jazz piano.
thanks, tim
hi, i'm tim, a game producer in china. i learnt classic piano when i was very young. recently i felt jazz piano is amazing and i started to read jazz piano book (mark levine) at day time and practise in night. due to busy working, i don't have enough time to practise on my piano. maybe 1-2 hours per day. i'm reading "basic" in jazz lesson now. tonight i practices 2-5-1 from C to E (5 keys) with left handing chords right hand scale. i'm quite excited to have this good start here. hoping make every body frie...
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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