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Message number: 25101 03/10/2006 03/10/2006 638
what chords can i use? 03/09/2006 03/09/2006 662
tritone substitutes 02/25/2006 02/25/2006 650
That's it! 02/04/2006 02/04/2006 2133
Message number: 23845 02/04/2006 02/04/2006 540
Message number: 23828 02/03/2006 02/03/2006 490
Message number: 23827 02/03/2006 02/03/2006 483
Message number: 23792 02/03/2006 02/03/2006 556
Message number: 23787 02/03/2006 02/03/2006 1009
What I find difficult 02/03/2006 02/03/2006 643
Message number: 23783 02/03/2006 02/03/2006 441
Message number: 23782 02/03/2006 02/03/2006 684
Message number: 23743 02/02/2006 02/02/2006 443
Oops 02/02/2006 02/02/2006 479
Message number: 23741 02/02/2006 02/02/2006 498

Jazz Piano Notebook Series
Scot Ranney's Jazz Piano Notebook, Volume 1 - jazz piano tricks of the trade

Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.

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Scot Ranney's Jazz Piano Notebook, Volume 2 - jazz piano tricks of the trade you can use today
"Latinesque"

Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.

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Tim Richards' Jazz Piano Notebook - jazz piano tricks of the trade

Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.

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Jeff Brent's Jazz Piano Notebook - jazz piano tricks of the trade

Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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