albetan's file inspired me to play around with quartels in the left hand and pentatonics in the right hand. it's true. you can play any pentatonic over any fouth voicing.
i have used this technique to deviate from the chords and melody of some tunes e.g. moon river and then to drift back to the chord/melody structure again.
but which pro's use this technique? i.e. pentatonics over quartels. i mean in the 'free' way that albaton suggests.
brad m's moon river seems to go into a 'free' section - i think??
cheers
bro'
it can be very cool, but to me, a little of it goes a long way - in other words "less is more" all these little tricks can spice up your playing, but like any spice, too much can spoil the broth - or is that too many cooks???
again, try to create interesting melodies that take your listeners on a ride. think back to the solos that stick in your mind; that you can sing...those are the most memorable
something i enjoy practicing is playing fourths in the left hand and using the 3rd in the right, or playing a non-quartal type of voicing in my left and using 4ths in my right when improvising. nice clash/energy that way.
chic corea comes to mind.
"but which pro's use this technique?"
mccoy tyner and some of chick corea's albums such as the famous now he sings, now he sobs.
jeff gardner has a lot of information about quartals and fourth voicings and pentatonics in his book jazz piano - creative concepts.
it s also about moving fourth voicings through the scales and combining them with pentatic scales.
most of his compositions (which are in the book) use fourths.
this book deserves more attention.
everyone, thank you.
i will listen to now he sings - i have it.
i'll also investigate the book.
i am seeing the relationships between pentatonics, fourths, triads, tritones more clearly now - about to bust through a door!
bro'
here are some more of the online sites that have good info re-this-https://people.uncw.edu/russellr/pentharm.html
https://chrisjuergensen.com.hosting.domaindirect.com/pentatonics.htm
https://us.f625.mail.yahoo.com/ym/showletter?msgid=5833_317537_9383_2041_1473570_0_102635_1999610_742875878&idx=9&yy=41844&y5beta=yes&y5beta=yes&inc=25&order=down&sort=date&pos=0&view=a&head=b&box=inbox
this last one probably won't come up..it's a bunch of really good files this guy sent me links to from a show on tv..let me see if i can figure out how to post them.........
https://www.taylorguitars.com/news/community/ws_summer_2005.pdf
(page 10)
pent.subs.i_chord_scalecharts.pdf (592k) scan and save to computer
a_study_in_pent_subs_i.doc (389) [preview] scan and save to computer
a_study_in_pent_subs_i.doc (27k) [preview] scan and save to computer
5pent.scaleforms_chords_ii.pdf (809k) scan and save to computer
a_study_in_pent_subs_ii.doc (392) [preview] scan and save to computer
a_study_in_pent_subs_ii.doc (33k) [preview] scan and save to computer
anyways...i tried...if anyone is interested and wants this info i'll see if i can figure out how to do it.......
https://www.davidliebman.com/feature_articles/examples%20of%20chromatic%20lines%20by%20david%20liebman%209_24_07.pdf
also is a great article on these concepts
if you want to see how to use pentatonics in modern lines,check this link-
https://www.michaelbreckerliverecordings.com/transcriptions.html
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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