official plug:
"metaphors for the musician" gives insights into almost every aspect of jazz musicianship, including scale/chord theory, practice strategies, composing techniques, performance psychology and how to create the states of mind that produce the best improvisations. included are chord voicings, comping, and exercieses. this book is designed for any level of player."
scot's note: randy halberstadt is one of the few pianists that the legendary jerome gray actually thinks is good.
randy reminded me today that i haven't posted the review for metaphors. oops! i had it written up a couple months ago, but, well, you know how it goes :)
better late than never, and i hope you all seriously consider looking into purchasing a copy of this book. the only surprise you'll get when you recieve it is how much it will help you improve your own playing.
and, so useful, it has a comb binding.
randy reminded me today that i haven't posted the review for metaphors. oops! i had it written up a couple months ago, but, well, you know how it goes :)
better late than never, and i hope you all seriously consider looking into purchasing a copy of this book. the only surprise you'll get when you recieve it is how much it will help you improve your own playing.
and, so useful, it has a comb binding.
no, that is really a "spiral" binding, which is lots better!
randy reminded me today that i haven't posted the review for metaphors. oops! i had it written up a couple months ago, but, well, you know how it goes :)
better late than never, and i hope you all seriously consider looking into purchasing a copy of this book. the only surprise you'll get when you recieve it is how much it will help you improve your own playing.
and, so useful, it has a comb binding.
no, that is really a "spiral" binding, which is lots better!
randy reminded me today that i haven't posted the review for metaphors. oops! i had it written up a couple months ago, but, well, you know how it goes :)
better late than never, and i hope you all seriously consider looking into purchasing a copy of this book. the only surprise you'll get when you recieve it is how much it will help you improve your own playing.
and, so useful, it has a comb binding.
no, that is really a "spiral" binding, which is lots better!
i like it better than the levine books. highly recommended.
i finally ordered this book (from the link on this site). i own many jazz/piano/theory books but randy's book has become my favorite.
i'm really happy to see scot's in-depth review of randy halberstadt's book. i couldn't agree more. it really opened up my eyes and ears and i go back to it constantly, three years after i started working with it. i'm just surprised more people haven't heard about it.
i suspect the title may be off-putting to some as it could seem a bit unfocused (i.e. it's not called 'nail your pentatonic scales' or something). but, as randy writes, there was really no other title given all the metaphors he uses to help explain a concept. he's also very generous with responding to email queries. and no doubt way too modest to have called the book: the best jazz piano book you'll ever read tm.
and, like david berkman's 'creative practicing' book, randy's approach really works well complementing other books, especially mark levine's jazz piano book.
i just got this book and it is great. i've read the first few pages and i can already tell that it is markedly different than most jazz books i've come across. when i ask musicians questions, i learned a long time ago to stop asking "how do you do this...?" because the response was somewhere along the lines of "i don't know, i just do it." or something not helpful like that. sometimes people explain things in a very abstract or overly philosophical way, which doesn't help either.
so, now, i ask my questions like this, "what are you thinking when you do this...?" this always gets a better answer, and randy's book really goes into the practical mindset of what jazz technique is.
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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