Old message # 560
I'm hoping this section will be used by more people,I didn't mean to turn it into an extension of "360"..please involve yourself in the dicussion...
re: just figured out who you are
SMG.. Hey, no worries. Sorry for the confusion. I'm still interested to hear your replys to my original post though! Thanks for the compliment on my pie...
just figured out who you are
Hey Jim,I didn't even realize it was you!(jb101 threw me re-last post asking if you were a person from 3-4 months back)I just listened to the first...
JB101
I saw your reply below,I'm wondering if you are the person who asked about composition links a few months back?I haven't had time to get into things yet,I ...
RE: Life of SMG
Hey SMG, Thanks for the snapshot of what you're pouring your life efforts into of late. You're clearly a LOT more into composition than I am (or ma...
re-Jim Lindstroms' thread last week
Hey Jim,Albetan,et al..let's keep on dealing with this over here....I'd be interested in checking out how the songs' developing.As far as what you were ask...
Jazz Piano Notebook Series
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
"Latinesque"
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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