7,

this (your) latest list of quartal permutations etc. is nicely done.  i downloaded the one listed as by calebsmusic.com  but am i correct in assuming it was first worked up or published anyway by jeffree brent?

on my copy in word i rearranged the list of  chord quality voicings to indicate how they are all one long quartal chord making it easier for me to grasp:

minor:  6 9 5, 9 5 1, 5 8 11, 1 11 b7, 11 b7 b3.

dominant: 3 6 9, 6 9 5, 9 5 1.

major:  #7 3 6, 3  6 9, 6 9 5, 9 5 1.

two interesting things i noticed:  the 6 9 5  and 9 5 1 voicings are good for the three qualities so one has only to learn these two (x 12 keys) making only 24 voicings to cover all!!!  very good for slow learners and lazy types like me.

the second very interesting thing is that to play the a major than its relative minor one only has to play the major #7 3 6  voicing and raise it Ĺ step (to the 1 11 b7 minor voicing. in c:  b e a up to c f bb)  in effect sounding (and also playing) a  c maj to db maj.  how cool is that?

iím sure there are more gems to be uncovered as i work my way through the quartal chord theory.  just keep swimming!

joe

ps: by the way, i just noticed that the (in)famous 'so what' chord is just a five part quartal chord inverted so the lowest note is on top.
(a d g c f becomes d g c f a.  yeah i know, some wise guy will say 'so what')
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