it can sometimes be inspiring to know what fellow musicans are doing... so i was just wondering what transcriptions you guys are working on for the moment?
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i had to learn the doobie brothers "listen to the music" yesterday.

does that count?

but that was yesterday, today i'm taking a siesta and then i intend to relax.
i had two afternoons yesterday and the day before -- so i picked up two solos i'd always been curious about but hadn't had the time to do.

jim hall's solo on "i've got you under my skin" (from "intermodulation," with bill evans)

herbie hancock's solo on "orbits" (from miles davis's "miles smiles")

i didn't learn very much from herbie's solo -- it's just not my cup of tea, especially the absence of formal, pre-planned structure.  but it's not a very long solo, and it's somewhat interesting to see what he did on this cut.  but jim hall's solo is an amazing little thing, worth studying quite carefully.

oh, and today i did two choruses from frank hewitt's "frank's blues" (on "we loved you, frank," from smalls records).  there are eighteen choruses, each one rather interesting, if somewhat sprawling when taken as a whole; he's one of the people i watched carefully as a very young adult, and his playing is full of interesting bebop ideas, especially for the left hand.
i am working on some jason rebello stuff at the moment. but i am having problems woth his left arm. he seems to use a lot of whole tone voicings....think it is some melodic minor stuff. anyone else know anything about his voicings?
along the same lines as "7", i've been transcribing chord changes from two motown tunes for our band, you keep me hanging on and ain't no mountain high enough.  pretty cool changes during the verses of each song....definitely not your  typical i-iv-v changes.
had anyone done any rebello transcription and is able to help me with his voicings?
ole - what tunes / albums?
piece of my heart.... the janis tune
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