BOOGIE-WOOGIE!!! YEAH!!!!
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pick up pete johnson's records as well -- "roll 'em pete" is maybe one of the most imitated boogies ever. also johnnie johnson's homespun video has a ton of boogie on it -- and a nice booklet with it as well (as does dr. john's homespun things -- a different style but one i spent a lot of time working on as well).
it's a pretty long road to get *good* at this style, but you can get there for sure.
here's a kind of pattern which should slow you down for a while:
lh (one bar):
......a..a........bb..f
c..c..d#.e..c..c..g...a
or just run an ammons/jerry lee lewis pattern in the lh -- c c e c g c a g.
the best instruction book (next to the original recordings), however, is the colin davey book.
i also have a complete transcription of dr. john's "the honeydripper" from "dr. john plays mac rebennack" that i made a few years ago -- i don't know where it is right now, though, but that's a pretty manageable one to start with, as far as lh goes. if i find it, i'll try to post it, but it's not that tough to figure out.
go down to the section entitled:
“jazz lessons
contains lessons, articles, examples, etc...”
click on the 8th on the list:
“[walking bass”
in the top bar on that page, click on
“list files”
this brings you to a file list. the info you’re looking for is contained in the following files:
"this is the blues" otis spann [lh only] (pdf)
notes on "this is the blues" otis spann lh file
"this is the blues" otis spann lh.mid
while these lh patterns might not represent every possible permutation of boogie-woogie bass formulae, otis puts damn near every trick in the book in here.
if you have the vanbasco player, you can watch the midi file being played on a virtual piano keyboard. very educational!
especially the lh -- you got all of the little changes spann made.
there's a (not very good) transcription of "otis blues" (in a) in print somewhere -- it's a boogie, in the sense that it's a tad slower than the one you did, but with the same feeling and the same sense of drama. i like to think of spann, maceo, memphis slim, dupree, davenport as having a kind of boogie all their own -- how would you describe that difference between them and albert ammons or pete johnson, 7? more straight-8s in the lh, maybe? i don't know, truly, how to describe it.
https://video.google.com/videoplay?docid=-3157288756741545974
i bet dalty knows more precisely, if he's still around. i haven't played that pattern myself. there's also a chorded bass on jools holland's "shoot shoot" from his "solo piano" cd -- unfortunately, it's out of print, but if you hang out at the boogiewoogiesheetmusic yahoo! group, you might find somebody who can send it to you. great music, anyway -- jools holland is maybe best known for his piano solo on "good thing" by squeeze (in addition to his late-nite talk show thing in the uk).
https://www.boogiewoogiepiano.net/piano-jukebox/myjukebox.html
thanks to eeco, the best boogie woogie player on the internet that i know. without him i wouldn't have gotten as far as i have now.
peace out!
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