http://www.music.sc.edu/ea/Jazz/Examples.html#Ligon http://www.grahamenglish.net/blog/graham-english/piano-voicings-part-1-left-hand-voicings/?source=ge.c...
Check out these links: http://www.Jeff-Brent.com/Lessons/comping.html http://www.melbay.com/creativekeyboard/apr04/comping.html...
ok so ive been playing the piano forever...but all classical music and the teacher at my school recruited me for a jazz band.... can anyone tell me about c...
I'm not sure where this post should be placed. However, since we have acquired a Comping room, it is going here. I'm referring to a comping style know...
Comping is a great topic for a room It is not only a matter of voicing but rhythm and rhythm you will learn in life not in a book or with jazz &quo...
I agree with the idea of a comping room. I think it would help a lot of members.
Maybe this will give you an idea or two: http://www.Jeff-Brent.com/Lessons/comping.html Also you probably could have put this up as a question in the...
Should i do the exact same chords in both hands or what?...
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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