Message number: 22758

Ahh o.k. pensé que era eso pero queria estar seguro. Muchas Gracias Albertan !!...

01/05/2006, by 0 replies
  Message number: 22745

"Brakes" o cortes son figuras rítmicas al unísono de la orquesta con las percusiones. Son como llamados para pasar de una sección a otra.

01/04/2006, by 0 replies
  Message number: 22744

Gracias Profe !! A que se refiere con "cortes" ?? Erick...

01/04/2006, by 0 replies
  Message number: 22726

No sigas buscando partituras de salsa... no se consiguen. Tu mismo has dado la solución: [i]"Será que debo ponerme a transcribir yo mismo cada una d...

01/03/2006, by 0 replies
  Message number: 22238

Thanks a lot Prof. Chacky...

12/15/2005, by 0 replies
  Player's Paradise

Player's Paradise is a Site created by Yamaha for Composer-Players. There you may upload your own compositions performed by yourselves. For listening to ...

12/14/2005, by 0 replies
  Message number: 22201

Chacky: El tumbao es la figura de bajo que va con los acentos de las tumbas, tal como describes en el segundo párrafo de tu post. El bajo que describes en...

12/14/2005, by 0 replies
  Dreams in Salsa

I uploaded lead sheet of my composition [b]Dreams in Salsa[/b] in [i]list files[/i]. You may listen to it at: http://www.playersparadise.net/song_deta...

12/14/2005, by 0 replies
  Message number: 22170

You must feel rhythm in your subconscious. You must practice and practice rhytmic patterns until mastering them. In Bolero, Bossa, and all Latin patterns ...

12/14/2005, by 0 replies
  Bossa Nova

Hola profe, Estoy practicando para poder tocar como me enseno en la ultima clase, con el bajo en la mano izquierda, y la melodia y la "guitarra"...

12/14/2005, by 0 replies
  Message number: 22151

Tumbao es precisamente la figura del bajo que va de acuerdo a los acentos de las tumbas (congas). Es igual para ambas claves.

12/13/2005, by 0 replies
  Tumbao

Una pregunta profe... El tumbao del bajo tambien varia dependiendo si la clave es 3-2 o 2-3. Si es asi, como seria? Gracias, Chacky...

12/13/2005, by 0 replies
  Guaje: Son de la Loma

I uploaded a midi file with rhythm section of [i]Son de la Loma[/i], a Classical [b]Son Montuno[/b] by Cuban composser Miguel Matamoros. Here clave is 2 &...

11/22/2005, by 0 replies
  Message number: 21371

si, gracias!...

11/22/2005, by 0 replies
  Message number: 21370

Precisamente que la conga alta va acentuada y va tocada en los tiempos 2 & 4, que erróneamente denominan "contratiempos" las personas que no ...

11/22/2005, by 0 replies
  Message number: 21368

ok. entonces cuando se dice que la cumbia es caracterizada por la acentuación en contratiempo. Que quieren decir?...

11/22/2005, by 0 replies
  Message number: 21367

[sf]El "contratiempo" equivale a la síncopa... Si marcas los tiempos: | t ç t ç t ç t ç | t = tiempo ç = contratiempo | 1 & 2 & ...

11/22/2005, by 0 replies
  Message number: 21364

y que es el "contratiempo" en la cumbia? esque escucho que hablan de el contratiempo en la cumbia...

11/22/2005, by 0 replies
  Cumbia & Porro

Cumbia and Porro are performed in the same way in bass and piano and guitar. Drums are similar. Main difference is this: In Cumbia: High Conga goes in b...

11/22/2005, by 0 replies
  Message number: 21360

En esa lección están las bases para tocar cumbia en su estilo original Colombiano. Sobre ese tipo de ritmos latinos seguramente no vas a encontrar nada es...

11/22/2005, by 0 replies
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Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.

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Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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