I am new on this site, and new to playing jazz, but I have a remarkable ear for it. My main problem is rythmically getting in the way, as a result i have...
Comping is short for accompanying. That is playing with another instrument or singer.
please, whatever you do, don't fake the funk. or your nose will grow.
I've playing piano for years and by reading lead melody and chords.I feel I've learned enough chords to give me a decent jazz sound.My question is--I can't...
Pianoplyr77: Please go to: [b]Search LJP[/b] Write: [b]A & B forms[/b] selecting: [b]files:[/b] lewbuc: Please go to: [b]Search LJP[/b] write: ...
Hey I'm new to improvising but iv been playing for eight years. Iv just got a job playing in a resteraunt and I want to know how to improvise to play. All ...
By the A form of the Dm7 do you mean F-A-C-E? Is that tipically refered to as the A form?...
hi all... i've noticed that there is some unpleasant dissonance while soloing with flat 9's...when can i use flat 9's and when can't i...for example in ...
B7 alt = B7 (V) and F7 (V+bV=b5 b9) either or G maj (V+bVI=#9 #5) either or Emaj (V+IV=11 13). Play an inversion whit ...
Mynstrol: Have you studied much in the way of standard jazz harmony? By this, I mean ii-V7-I sequences, tritone substitutions, turnarounds, secondary d...
Mynstrol: If you are in a funk band, minor "jams" are usually either based on minor pentatonics, or modal grooves/vamps. If it's just a funk ...
hi...i'm in a funk band and i wanted to jazz it up a bit. i usually play some sevenths or sixths with my left hand...i've found that ninths, thirteenths a...
I found interesting informations on http://support007.com/find.php?value=Jazz+Lessons-+Comping+.Please write me if this was helpfull to all of you.
Okay, here goes: All dominant seventh chords contain a tritone between the 3rd and 7th, which is largely responsible for their "anticipatory" ...
Thanks, SDM! Here it is, reprinted: From 9/15/2002, by Ben Blau The A and B forms are specific voicings for ii-V7-I progressions, which are a corne...
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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