apart from listening to recordings and trying to emulate what you hear by recording your own playing and listening back with a critical ear, one of the best ways to analyze what makes good comping is to analyze big band arrangements.  the way ellington, basie, mintzer, mancini, ferguson, arrange and compose the accompaniment parts is often very tasty.

some of the best compers in the business play with singers, so listen to some shirley horn and other singers who have/had their own trios.

a useful tidbit in comping is to think about it like a conversation.  when someone starts talking to you about their day in voice conversation, usually you let them have their say while interjecting comments to let them know you're interesting in what they are saying.

music comping is the same.  you let the horn player do his thing and comp when necessary.  remember, the idea, the entire underlying idea behind comping, is to make the melody player sound better.

look at the classic miles recording, "so what".  the bass player does a line, and the rest of the band responds.  that's comping in a nutshell.

hope you find something useful in all of that!
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