This is an older discussion about the Advanced Blues article.
//some guy from philippines joriskattemolle, maybe this could help... Try to do this... Play an F major scale chord patteers on your left hand say ...
You don't change the scale each time the chord changes, you stick with the key of the tune. If you're playing F blues, you can use the F blues scale thr...
I dont know wich scale I could use during a blues. Just the blues scale of the root note doesn't sound right somtimes.
For a clear approach to making your blues playing more interesting, see Dan Greenblatt's book [i]The Blues Scales: Essential Tools For Jazz Improvisation,[...
For a clear approach to making your blues playing more interesting, see Dan Greenblatt's book [i]The Blues Scales: Essential Tools For Jazz Improvisation,[...
Thanks for the link & advice! The chord maps are extremely helpful [i]*off to analyse & experiment*[/i]...
There are LOTS of useful paths and patterns. The way to learn them is to learn a lot of tunes and actively think about how chords relate. Look at Bi...
You might find this useful. http://chordmaps.com/part5.htm...
Dudeoflame: Please go to search engine (upwards) and write: [b]basic chords[/b], selecting [b]files[/b]. Good luck.
Classic rootless voicings: Bb7 · D G Ab C C7 · E A Bb D (little b = flat)...
hi could you help me, im not sure if im playing the chords right, although i am reading what it shows it doesnt sound right. (im a begginer in jazz and...
Well, if you listen to those guys, then the best way to do it is to learn what they are playing and play along with them on the record. Once you can emulat...
Hello Scott, I am a new visitor to your site and have reviewed a number of the lessons posted. The lessons are fantastic and it does help. Nonetheless...
Hey guys, I want to play the traditional blues, on this site, but who can help me with it from the beginning???...
Deep words to live by. You can't flourish if you don't have deep roots.
The one lesson I learned in music is there aint any rules what you have here is a good guide but when you are up front you have to come up with goods and ...
Because besides for transposing purposes depending on the bass note it can give a LOT of mileage. For example an E blues run against a C bass = maj9 or maj...
I changed something so that the (information) link had them, but I changed it back so the lessons will show up again like they used to.
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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