yep, it didn't phase me a bit either - she didn't care and neither did I...we were just there to do our thing:)...
If there are women in the guy's room I don't think about it for a second. If they are going to be freaked out if I pull Uncle Willie out and relieve myself...
Actually I don't really appreciate it when women use the men's restrooms, they know they can get away with it so they do it. Why can't we use theirs? They'...
Another time I was playing at a sleezy bar. There were long lines to use the restrooms, but as usual the line for the women's room was much longer. So ...
and another one...at another elite country club full of attractive young ladies...only this was a wedding. The brides maids were all dancing in front of...
Since we're sharing stories too...many years ago I was playing solo at a very elite country club for some very rich folks. Funny how the women at those f...
great ideas Dr. Whack!!! right off I am particullarly fond of "Mike's Muffs" but I want it clear the room is for everyones Muffs. so i guess ...
for a room name you mean? "Collage of Butt Prints" I don't know what does eveyone else think?...
cool: Maybe we could put it up to public debate here as to what a better name would be... Ideas guys?...
Hmm, I like the idea (I take pics of women at the piano) but I don't want to have a room called "soft porn" here. Let's think of a diffe...
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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