This is an older discussion pertaining to the "That Left Hand" article.
Maybe this will help... Personally, I cant read a note, and am jealous of those who can. If you can reach a full tenth in your left hand, hold it for th...
Hey, that's great!!! Keep up the good work.
My name is travis and i am new to this site. I had piano lessons for 5 years and i still cant read music. I am a self-taught piano player that considers hi...
In the third example there are multiple voices. The lower voice is voice two, the upper voice is voice 1. They are meant to show counterpoint as a means ...
Hi jbl81: In albetan's ther's something about performing bossanova "How to play Bossa (2)"...
I invite you to "Albetan's Area" in personal rooms. See files list.
hello how do you feel ? i'm an african keyboard player and y have many probleme with my left hand .y need ideas about "left hand voicings during the s...
It's in the Exercises room. Click on the "Rooms" link and look for exercises, then click on the File List.
Hey Scott, your old site had an exercise called left hand technique and harmony. Where did it go?...
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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