hm,  i know how to count quite well believe me.  just like i do not find the chord changes of giant steps creatively restricting, i do not find using voicings as a help to keep the form restrictive at all.  that is why i do it obviously.  in my  study of jazz modal study came relatively
in the same order of its invention.  i learned how to play changes extensively before i got into modal playing at all.  modal playing has its unique challenges.  i find it much more restrictive counting to 16 than counting to 4 four times.  problem is when you are deep into an improvisation it is very easy to forget whether its your third group of 4 or your fourth group of four.  my soloution is to creat a series of
voicings...  this solves  the problem for me and makes it so i am not creatively restricted.  but if you can count to 16 or more accurately,
4x16, anotherwords, sixty four with out, and have no problem, limiting yourself creatively during an improvisation all the power  to you.  i as stated often have a hard time with it although i would challenge any musician to size up against me in counting or metronome ventures of other sorts.
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Jazz Piano Notebook Series
Scot Ranney's Jazz Piano Notebook, Volume 1 - jazz piano tricks of the trade

Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney has picked up over decades of playing on stage.

Being a pro jazz pianist requires good ears, experience, and a bag of tricks that create the kinds of sounds people expect to hear from a jazz pianist. The entries in this book will give you some of those tricks.

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Scot Ranney's Jazz Piano Notebook, Volume 2 - jazz piano tricks of the trade you can use today
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Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, and books like this help connect what you're hearing to what you want to play.

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Tim Richards' Jazz Piano Notebook - jazz piano tricks of the trade

Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.

Tim has a new book out Beginning Jazz Piano (Pts 1 and 2)

Many of Tim's books now come with free access to interactive sheet music ONLINE, which permits slowing down of the backing and performance tracks, as well as the option to loop passages for practice purposes.

Tim now also has online VIDEO courses for his books, including Beginning Jazz Piano, Improvising Blues Piano and Exploring Jazz Piano Vol 1:

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Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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