i have a woefully small collection of trios and solo piano consisting of monk, bill evans, oscar peterson, red garland, and chick corea.  when i listen to jazz on the radio they do long blocks of songs and when i hear something that i would like to analyze or transcribe i never end up knowing who did it.  in the newer jazz pieces there seems to be a somewhat common theme in many of the solos that i can't quite grasp.  i'm not saying the solos sound the same, but there is some mechanism or set of mechanisms that i would like to try and get a handle on.  

i could use some recommendations on what music to pick up.

thanks all
There is one comment, leave a comment.
mt,why not take advantage of the free 30 day trial at e-music.com..they have a s-itload of great stuff..if you check back in the forum there's a thread about this(actually more than one)..
as far as what you're talking about re-contemporary stylistic conventions,i'd invite you and other interested parties to check out the files about autumn leaves,green dolphin st.and the latest one (which deals with the techniques used by pianists influenced by mccoy tyner) over at 360 degrees and let me know if they cover this kind of stuff....if not i'd like to post a file that deals with the "mechanism or set of mechanisms" you're describing......a lot of contemporary players are coming from an approach based on using "dissonant" chord types (and the accompanying chromatically- based melodic options these lead to)in place of more "consonant" ones in parts of songs which lend themselves to this.......
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