Old message # 13334 on LearnJazzPiano.com

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Old message # 13334

las teclas de un piano son igual que un pentagrama, el esquema mental que activas al tocarlo es el mismo que al leer m�sica, de hecho, al igual que ocurre en m�sica, trasponer una melod�a es complicado; se necesita agilidad mental para conocer los acordes correspondientes de acuerdo con las nuevas alteraciones, etc ... la manera que un guitarrista, bajista, ... aprende triadas, cuatriadas, escalas ... es m�s c�moda ya que las asocia a posiciones en el m�stil, de hecho, la trasposici�n es mucho m�s f�cil, s�lo con trasladar las posiciones ya tenemos los acordes, escalas ... en el tono correspondiente. esto hace que un guitarrista pueda tocar sin tener conocimiento consciente de qu� acorde est� tocando (sabe que es un iii grado, un bvi; pero pierde la perspectiva general que le da el pentagrama). por supuesto esta simplicidad tiene su precio y, a la hora de componer, hacer arreglos para otros instrumentos o simplemente irte al pentagrama, un pianista (a igualdad de condiciones) le dar� algunas vueltas. por eso aconsejan a todos los instrumentistas ponerse con el piano de vez en cuando, te obliga a pensar como leyendo un pentagrama.

con los dem�s instrumentos pasa algo parecido: los instrumentos de viento est�n afinados en bb, normalmente, por lo que es muy dif�cil para ellos tocar fuera de esa tonalidad, para eso necesitan un instrumento con afinaci�n especial. lo mismo ocurre con las arm�nicas, ...por lo que es el piano el instrumento que ofrece una visi�n m�s generalista y m�s fielmente representada de todo el pentagrama.

en favor de los bajistas, guitarristas , ... he de decir que no existe una relaci�n nota-pulsaci�n biun�voca, es decir, una nota la encontramos en m�s de un sitio en el m�stil, los acordes se pueden tocar de muchas maneras dependiendo de d�nde est�s ,...

bueno, creo que me he explayado un poquito ....

by on 04/28/2005, 08:25

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Jazz Piano Notebook Series

Scot Ranney's Jazz Piano Notebook, Volume 1 - jazz piano tricks of the trade

Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.

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Scot Ranney's Jazz Piano Notebook, Volume 2 - jazz piano tricks of the trade you can use today

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Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.

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Tim Richards' Jazz Piano Notebook - jazz piano tricks of the trade

Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

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Jeff Brent's Jazz Piano Notebook - jazz piano tricks of the trade

Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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Old message # 13334

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Old message # 13334

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Reply to Thread

Jazz Piano Notebook Series

"Latinesque"

LJP Jazz Piano Blogs

Most Recent Discussions

Articles

Top Sheetmusic Picks

Jazz piano education is cool.

Rock on. Follow your passion.

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