in the world of writing if you knowingly steal from one source it's called plagarizing.

if you knowingly steal from many sources it's called "influences".

the history of music is based on drawing on our forefathers' influences and recombining the very same elements to "speak with our own voice".

put another way, my old music theory professor at the university was fond of saying: "all musicians steal from somebody, so only steal from the best!"you say that your original compositions sound like something you've heard before, but do you know that to be a fact or is your natural tendency towards writing such that every melody you create has a feeling that it was always meant to be?

probably the latter is true. every melody note has a natural tendency to go to one or more melody notes. by following these natural tendencies, you are still speaking with your own voice, yet coming up with melodies so "organically grown" that they appear to be the work of someone else (some even attribute these tendencies to "communing with god or the cosmos").

check out these articles and see if maybe you are simply following the path of the great  tunesmiths of history.

creating melodies using "the suggestive method"
the natural path to melodic construction.

https://jeff-brent.com/lessons/suggest.html

melodic tendencies
note choices based on psycho-acoustic factors

https://jeff-brent.com/lessons/melodictendencies.html
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Jazz Piano Notebook Series
Scot Ranney's Jazz Piano Notebook, Volume 1 - jazz piano tricks of the trade

Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.

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Scot Ranney's Jazz Piano Notebook, Volume 2 - jazz piano tricks of the trade you can use today
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Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

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Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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