Message number: 20217
i have heard bands in jam sessions jump to another key and i hadn’t listened to which key they jumped. had i done so, i probably would have realised that they favour such patterns as whole/half step modulations and generally ascend rather than descend. i had not listened (with my ears sufficiently open) to singers change key. neither had i read up enough of, firstly, looking for common chords and, secondly, choosing common tones and then going to the dominant seventh chord of the target key.
finally, as is always the case, i did find an article, complete with exercises, on modulation from a book by gail smith called “complete book of modulations for the pianist”. this was very useful too. it was on a “creative keyboard” site if anyone else is interested.
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Jazz Piano Notebook Series
Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.
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Volume 2 has 14 jazz piano exercises and tricks of the trade, and quite a bit of it is Calypso jazz piano related material, including some Monty Alexander and Michel Camilo style grooves. Jazz piano education is through the ears, but books like this can help.
Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.
Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.
Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.
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