avec mario, ça donne que je bosse, j'essaie de faire des relevés, je crois que je progresse mais j'ai du mal à m'en rendre compte. en tout cas, au niveau de l'oreille je progresse, je le sens bien. mais j'ai toujours un mal fou à entendre les accords.
et je bosse aussi des relevés de monk que mario a fait.
pour ma part, ça doit déboucher aussi sur le dem, j'aimerais bien le passer l'année prochaine, même si c'est un peu ambitieux.

d'ailleurs, seb, toi qui as l'air renseigné, ça permet aussi d'être prof en école de musique le dem, non ?
tu vises quoi, après le dem ?

ah oui, une dernière chose, seb, tu peux me dire quelle est la grille que tu utilises sur how deep is the ocean ? j'ai commencé à relever une version de chet baker et la grille n'a rien à voir avec celles que j'ai pu trouver dans les real book... (au fait désolé, je n'ai pas eu le temps de te faire des chorus sur les morceaux que tu dois bosser... comme tu peux le deviner, j'avais l'intention d'en faire un sur ce morceau, mais je ne le connais pas assez encore bien...)
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Jazz Piano Notebook Series
Scot Ranney's Jazz Piano Notebook, Volume 1 - jazz piano tricks of the trade

Volume 1 of this educational jazz piano book contains 15 jazz piano exercises, tricks, and other interesting jazz piano techniques, voicings, grooves, and ideas Scot Ranney enjoys playing.

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Scot Ranney's Jazz Piano Notebook, Volume 2 - jazz piano tricks of the trade you can use today
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Tim Richards' Jazz Piano Notebook - jazz piano tricks of the trade

Volume 3 contains 12 jazz piano exercises and explorations by the acclaimed jazz piano educator, pianist, author, and recording artist Tim Richards.

Tim wrote the well known "Exploring Jazz Piano" and "Improvising Blues Piano" books and has several others to his name.

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Volume 4 is by Jeff Brent, a jazz pianist, composer, teacher, and author of "Modalogy" and other acclaimed jazz theory and education books. In this book Jeff shares detailed analysis of transcriptions of live performances. He covers everything from the shape of the songs to the tricks and licks he uses in improvised lines to the ideas behind his lush chord voicings.

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